Common Ground: The Hainsworth Collection in Conversation with Cheekwood’s Permanent Collection - Cheekwood
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Common Ground brings together, for the first time, paintings from the Hainsworth family collection and Cheekwood’s permanent collection to create a rich visual survey of American painting from the mid-19th to early 20th century. The two Nashville-based collections displayed alongside one another create a dialogue, revealing shared cultural aspirations and contrasting artistic visions. The exhibition examines major American art movements from the Hudson River School to American Impressionism and the Ashcan School. Together, the two collections enhance one another, offering a vibrant perspective on American art.

F. Luis Mora (American,1874-1940), Shadows in the Orchard, 1910, Oil on canvas. From the collection of John and Susan Hainsworth
F. Luis Mora (American,1874-1940), Shadows in the Orchard, 1910, Oil on canvas. From the collection of John and Susan Hainsworth.

The two Nashville-based collections displayed alongside one another create a dialogue, revealing shared cultural aspirations and contrasting artistic visions. The exhibition examines major American art movements from the Hudson River School to American Impressionism and the Ashcan School. Together, the two collections enhance one another, offering a vibrant perspective on American art.

Cheekwood-Common_Ground_Exhibition (3)
F. Luis Mora (American,1874-1940), Shadows in the Orchard, 1910, Oil on canvas. From the collection of John and Susan Hainsworth.
Cheekwood-Common_Ground_Exhibition (4)
Adam Emory Albright (American 1862-1957), The Raft, 1895, Oil on canvas. From the collection of John and Susan Hainsworth.
Cheekwood-Common_Ground_Exhibition (2)
Julian Alden Weir (American, 1852−1919), At the Piano, c.1890, oil on canvas. From the collection of John and Susan Hainsworth.

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